Wednesday, 28 September 2011

Interview - Brian Hancheck from The Arctic Flow

The sound of The Arctic Flow is dreamy, full of lush sound scapes and floating guitars. Brian Hancheck is The Arctic Flow and this week Blueboy and Popgirly caught up with Brian to ask him about his music, his inspirations, his music interests and his upcoming EP release As Close To A Kiss As We'll Ever Be.

First of all, where does the name The Arctic Flow come from? And what inspired you to become a musician, has it been something you have always thought of doing?
When I was first starting The Arctic Flow I was really interested in ambient music and had a few songs in the very beginng that were kind of ambient, but because of my short attention span I soon gave up on that and started writing pop songs. The actual name "The Arctic Flow" came from a lyric of a song I misheard from this band I used to be really into. I just recently read the lyric sheet to find out they weren't singing about the arctic flow at all.

Anyway, growing up I was always surrounded by music. My parents and brother played music so I guess it comes naturally. One magical day when I was 5 or 6 I was messing around with my dad's tape player and all of a sudden the song 'Red Rubber Ball' by this obscure 60's band The Cyrkle came on and all of a sudden...it was really one of my first emotional experiences... I heard it all: the guitar, the melody, the melancholy, and even though I didn't understand the lyrics, I felt what they were singing about. That is what got me interested in music, being able to express these complex feelings that I could not otherwise say.

A lot of your music is incredibly dreamy. Do you produce all of the music yourself? Or do you have people who you collaborate with to create such lush landscapes? Can you tell us about The Arctic Flow recording process?
Thanks so very much. Actually I do everything in The Arctic Flow primarily because after years of playing in really bad bands that I'm embarrassed to admit, it just seems easier to do it all myself instead of telling some producer to turn the reverb all the way up and get really strange looks. The actual recording process isn't epic or anything, but just to give you a glimpse, I usually start the rhythm tracks and bass first and then I become a kid in a candy store and go crazy with everything else. The absolute worst part are vocals...I cringe when I have to do vocals because I have such little confidence in my voice, so I just sort of sing and drench it all in glorious reverb. That's pretty much it. Then I will leave it for about a week and come back to it with fresh ears and start mixing. 

As far as the dreamy sound...it's just a combination of reverb, chorus, and delay. For the guitars I never record anything "dry". I will get as much chorus as possible just before it starts to warble and record with about 40% reverb...then during mixing I'll add even more chorus and more reverb over the track.

Does song writing come fairly naturally to you? Are you ever stuck for inspiration or do you find inspiration easily?
Song writing is as natural to me as breathing. I don't ever spend much time pondering over something, but most of the times I come up with the chorus first and then once that's done I write the verses. I usually start and finish a song in just a few hours... music and lyrics. Even though I've tried to take on some serious subjects it usually comes out sounding forced so I just write about things I've gone through, boy/girl things, living and growing up at the beach, being a loner...

Who are some of your musical influences? 'The Pink Beds' reminds me of early Cocteau Twins, while 'Heart In Flight' reminds me of later Cocteau Twins, and 'Lemonade Kiss' is very Jesus & Mary Chain. Who are some other bands that inspire you?
Oh man....this might take a while. The Cure really changed my life in 7th grade. I saw the 'Fascination Street' video on MTV and I was never the same..actually I think it was that video, 'So Alive' by Love and Rockets, and 'Enjoy The Silence' by Depeche Mode all played back to back...just completely turned around and confused at the same time. I went out and over the next few years devoted my life to The Cure. When I was a senior in high school I bought Hatful Of Hollow by The Smiths and I was done. That was probably the greatest musical moment ever to me...hearing those songs. I really believe The Smiths are the greatest band ever...greater than The Beatles, greater than...they were the perfect band. I became very obsessed with Mr. Marr. In college my next great discovery emerged in the form of Slowdive and My Bloody Valentine and The Cocteau Twins...so between The Cure, The Smiths and Slowdive and the Twins you have my influences. Oh and I forgot to mention The Ocean Blue and Starflyer 59.

These days my favorite band is The Radio Dept. I just love their sound.  I have really been into this band called Delorean and Horse Shoes as well as Isles of Kin, Data Unit, Tony Pucci, The Consolation Project and The Bilinda Butchers. The Bilinda Butchers are one of the best new bands I have ever heard.  They are going to be the next big thing. I also love Sundae, The Tough Alliance, The Embassy, Air France, Boat Club, The Field Mice...Really that doesn't even scratch the surface.

I never thought of 'The Pink Beds' as being influenced by early Cocteau Twins, but I can totally see that now. 'Hearts in Flight' was deliberately influenced by them, though. 'Lemonade Kiss' is right on too. That song came was only a single, but I had a bunch of songs I was working on at that time, but it really all sounded too much like Psychocandy.

Have there been any standout releases that you have heard this year? What have you been listening to lately, old or new?
The new Embassy album is going to be amazing. The Bilinda Butchers EP is just beyond words. I know I mentioned them earlier but Isles Of Kin is this shoegaze band from L.A., actually it's just a guy named Kyle, but he does this really Lush, A.R. Kane influenced sound that is among my favourite this year. To be completely honest I haven't listened to many new releases, I usually wait until the end of the year and just saturate myself with a whole year's worth of stuff. The new Drums album is pretty good, it will have to do since Horse Shoes isn't doing much, are they? The new Sundae EP is super cool... really good.


Tell us about the upcoming release of your new EP. It's the first CD release of your music which must be incredibly exciting.
The new EP is called As Close To A Kiss As We'll Ever Be and it's the first CD release for us, everything else up until now has been free digital downloads so this is uncharted territory. It's coming out on Little Treasure, a new imprint of Bubbletone Discos, which we had a single on last year. Cris is one of the nicest guys I know and he has done some really cool artwork.

The songs are some of the best I've done. They sound...well they sound like The Arctic Flow, but there's a lot less guitars and more keyboards. I didn't realize until after I heard it that there is absolutely no distortion on it. It's lush, very lush. If you liked the 'Sentiments and Artifacts' single, you would probably like this one...
This EP contains my favorite Arctic Flow song to date called 'Vanity of Human Wishes', it's kind of autobiographical. It's very exciting!!

The internet has been a great way of promoting your music. What are your thoughts on the MP3 industry?
The fact that it is an industry is really sad, because industry = money. That's why up until now I have given away my music for free because I believe music should be free as long as the artists get credit. The internet is just an amazing tool... I wouldn't be doing this had it not been for being able to use the internet for promotion.

Do you perform many live shows?
I have this shyness thing going on. I'm not the most extroverted person in the world so I don't play live, yet. I am waiting for a show invite. One day I hope to be playing at the NYC Popfest... that would be amazing... I mean The Drums exploded after doing NYC Popfest. But I think I would do OK live, it would probably be just me and my guitar and some backing tracks.

If you could only play 4 songs to best describe your sound, the essential Arctic Flow songs, which 4 songs would they be? And why?
Oh... where do I start? This will be different if you ask me tomorrow, so here it goes.
1- 'All The Way Until December' from All The Way Until December LP. This is one of the best pop songs I've ever done. It was the first song written for that album and the rest of the album followed quickly. It is the culmination of an amazing year.
2- 'Sentiments And Artifacts' single. This song is one of my biggest productions ever. If I can remember there are seven guitar tracks and three bass tracks on this song. Plus it just sounds really cool.
3- 'Dear Diary' from the Starflow Lightning EP. I was gaining confidence as a writer and producer and was saying things in a song that I hadn't before. I really liked how the chorus turned out and it way my first use of piano on an Arctic Flow song.
4- 'Raincheck' single. This is our latest song it originally started sound like an Ocean Blue song, but I rerecorded it and I'm really happy with the way it turned out... very simple with my homage to Peter Hook in the middle.

Thanks for taking time out of your schedule for this interview. We look forward to reviewing your EP in the near future.
Thanks so much. Oh yeah, if you can go over to Facebook and like us... shameless plug. Thanks again!

Here's a free download of the fantastic Starflow Lightning.


FOR MORE FREE DOWNLOADS FROM THE ARCTIC FLOW GO TO BANDCAMP!
LastFM (songs available for free download!)

Saturday, 24 September 2011

Veronica Falls - Veronica Falls





















Released September 20, 2011 / Slumberland

Found Love In A Graveyard
Right Side Of My Brain
The Fountain
Misery
Bad Feeling
Stephen
Beachy Head
All Eyes On You
The Box
Wedding Day
Veronica Falls
Come On Over

Veronica Falls have been creating well-deserved buzz for the past couple of years thanks to 'Found Love In A Graveyard', a stylish cover of Roky Erickson's 'Starry Eyes', and 'Beachy Head'. These songs, with the exception of Starry Eyes which can be found on an upcoming covers EP, have been reworked on this album for a clearer sound. The splendid 'Found Love In A Graveyard' has singer Roxanne Clifford telling a tale of falling in love with a ghost, it's upbeat while at the same time being gloomy. One cannot deny falling for their lovely doo-wop and boy-girl harmonies which create an engaging setting throughout the album. 'Misery' could be a spooky nursery rhyme with it's darkness buried beneath the sweet pop. The irresistible 'Beachy Head' is surf-rock genius. The song refers to the 530 foot cliff in East Sussex, notorious for being a popular suicide location. But don't be confused with the titles of these songs, this isn't macabre indie-pop. Sure it's a little dark on themes, but the band restrains themselves from becoming horror-pop. Ultimately the themes centre on chasing the unachievable with a small glimmer of hope in sight. 'Stephen' sounds how I wish Belle and Sebastian would sound these days. Elsewhere 'Bad Feeling' and 'The Fountain' have all the ingredients of being classics with their dynamic harmonies and energetic drums. The album is full of texture and immaculate sounds. In particular the guitar work of Clifford and James Hoare is second to none. As a band they make it seem effortless and it is clear that they are focussed on creating interesting indie-pop music with a post-punk edge. This album is clearly a contender for being voted album of the year by Blueboy and Popgirly, so go and get it!


Veronica Falls Website (links to blog, shop, Facebook, Last.fm, Myspace and Twitter)

Sunday, 18 September 2011

Kids On A Crime Spree - We Love You So Bad

Released May, 31 2011 / Slumberland

I Don't Want To Call You Baby, Baby
Trumpets Of Death
Sweet Tooth
To Mess With Dynamite
Dead Ripe
It's In My Blood
Impasto
Jean-Paul Sartre 2

Mario Hernandez has a knack for making fun and exciting records, see Ciao Bella and From Bubblegum To Sky for examples. Here he joins Becky Baron from #poundsign# on drums and Bill Evans of From Bubblegum on guitar, to make one of the most thrilling indiepop releases of the year. Distinctive vocals, excellent songwriting, C86 drumbeats, reverb-soaked guitars and well produced song structure help this EP flow flawlessly without a missed step. The catchy hand-clap driven 'Sweet Tooth' and 60s surf pop 'Trumpets Of Death' are remarkable vibrant pieces of pop. 'To Mess With Dynamite' has a vocal on the hook that pays homage to The Ramones song 'Judy Is A Punk'. Personally, Blueboy and Popgirly much prefer the newer of the two. The joyous titled 'I Don't Want To Call You Baby, Baby' has a cool bass line together with a hint of fuzz that calls for repeated plays. This debut EP is infectious and fun. Highly recommended!


Tuesday, 6 September 2011

Camera Obscura - Live in North Carolina, 2004


30th July 2004 - Cat's Cradle, Carrboro, North Carolina, USA

Teenager
Anti-Western
Keep It Clean
A Sister's Social Agony
Before You Cry
Lunar Sea
Sugar Town & Blue Moon
Quiet One
Eighties Fan
Suspended From Class
Let Me Go Home

DOWNLOAD

Sunday, 4 September 2011

Brilliant Colors - Again And Again





















Released July 19, 2011 / Slumberland

Hey Dan
How Much Younger
Value Lines
Round Your Way
Back To The Tricks
Cult Face
Painting Truths
Hitting Traffic
Telephone Stories
L.A.s

Again and Again is the sophomore release from Slumberland's Brilliant Colors. Carrying on from their 2009 debut Introducing, they have again created perfect summer music that is lively and playful. However this new release is much sharper and more focused than their previous effort. The vocals are higher in the mix, the guitars are clearer and the drums hold more of a punch. Indeed, the album is more diverse and shows a stylistic progression. 'Hey Dan' makes you want to twirl under the warm sun. The song 'Back To The Tricks' has so much character, blistering guitars, rapid fire drums, Jess Scott's cool vocals and an unexpected rupture of guitar near the end. Sure to be included on many mix tapes are 'Painting Truths' and 'Value Lines' which are both exciting and infectious. Again and Again is a good album, but some of the songs crave more lyrics, this would give the album more of a kick. Still worth checking out though!


Brilliant Colors Blog
Slumberland Page
Myspace

Widowspeak - Widowspeak





















Released August 9, 2011 / Captured Tracks

Puritan
Harsh Realm
Nightcrawlers
In The Pines
Gun Shy
Hard Times
Fir Coat
Half Awake
Ghost Boy

This debut album by Brooklyn's Widowspeak showcases the flawless style of members Michael Stasiak and Robert Thomas, coupled with Molly Hamilton's incredible voice. At times her voice is reminiscent of Hope Sandoval of Mazzy Star. However, Widowpspeak as a whole run with an indiepop crowd, especially with the jangly guitars featured on tracks such as 'Fir Coat'. The album is beautiful, gentle and atmospheric, with hints of psychedelia surrounding the hauntingly dreamy vocals. 'Brain Freeze' has thumping drums, hand claps, cool guitar riffs and Molly's gentle voice, what more could you want? On 'Harsh Realm', also available as a 7 inch, there is plenty of heartache; "I thought about how it was / I thought about you because... I always think about you". A drug induced haze covers 'Ghost Boy' with a rad tambourine and a heavenly slow building effect, it reminds me of the title track from Mazzy Star's So Tonight That I May See. 'Half Awake', 'Fir Coat' and 'Gun Shy' each have their own unique bright feel and add a glimpse of lightness to the album. 'Half Awake' in particular, is going to be one of the best songs of the year for Blueboy and Popgirly. Overall, this is an extremely engrossing debut full of blissful and darkened sounds. The artwork on this album is lovely, as too are the 7 inch sleeves of 'Harsh Realm' and 'Gun Shy' so don't forget to check them out as well!


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